Cellist Sungmo Park - Discography

This album features Sungmo Park’s cello solo performances accompanied by basso continuo based on original manuscripts. Including even Boccherini’s lesser-known repertoire, it presents all 23 sonatas in a single, highly scholarly recording.

Luigi Boccherini (1743–1805) was a Classical-era composer and cellist from Italy. While he left behind many outstanding chamber works, he is especially renowned as one of the first great composers for the cello, notable for his concertos and sonatas that showcase virtuosic bow techniques, extensive use of high registers, and exploration of diverse positions on the fingerboard.

Many of Boccherini’s sonatas exist in multiple manuscript versions—some with unclear origins, and others identical to the autograph but with various alterations—scattered across music libraries around the world. This has long posed challenges in organizing the original and variant versions.

Thanks to the research of French musicologist and critic Yves Gérard (1932–2020), many of these issues were clarified. As a result of his work, Boccherini’s compositions were catalogued using a “G” numbering system, published in London in 1969.

This album includes all 23 sonatas (G1–G19, G565, G579, G74, and L’Imperatrice).
Professor Hyojung Kang, cellist and viola da gambist, contributed to 18 of the basso continuo recordings, while double bassist Sungjik Park, currently active with a German orchestra, participated in five of the sonatas.

Comprising a total of 36 movements, the Bach Cello Suites are regarded as one of the greatest masterpieces in the history of cello repertoire.
Although no autograph manuscript has survived, these suites have been widely performed and interpreted in diverse musical ways since their rediscovery by cellist Pablo Casals in 1925.

This complete recording captures an attempt to reflect the ever-changing, rich, and mysterious beauty of nature through the music of Bach.

This piece is one of the representative works by David Popper (1843–1913), a renowned cellist and composer of his time. It is a collection of virtuosic etudes that not only showcase the expressive range of the cello but also demand advanced technical skills.

Comprising 40 pieces, this collection includes challenging techniques such as high positions, double stops, spiccato, fast rhythmic passages, and a wide variety of bowing articulations. As such, it has become an essential etude set for cello students and performers around the world.

This album marks the first complete recording of all 40 etudes by a Korean cellist. It was produced over the course of approximately nine months of recording.

I hope this album will serve as a meaningful contribution to those who admire Popper’s music and to cellists seeking to further develop their technical skills.